Swot Analysis Report - 1228 Words

Since 1994 Hilton acquired all of Bally Entertainment, making the largest gaming company in the world. In 1997 they founded an alliance with Ladbroke Group PLC in (now Hilton Group, owner of Hilton International and the rights to the Hilton name outside the US) to unify the Hilton brand worldwide. With a downturn in the gaming industry translating into sluggish results in Hilton’s gaming segment, the company spun off its gaming interests as Park Place Entertainment. In 1999 Hilton made a massive acquisition with the $3.7 billion purchase of Promus Hotel Corp. The following year Hilton sold its flamingo Casino-Kansas City, a remaining casino property left over from the Park Place spin off, to Isle of Capri Casinos for $33.5 million.†¦show more content†¦These hotels are owned by joint ventures of which the Company owns a minority or non-controlling interest. The Company has a right of first refusal to purchase additional equity interests in certain of these join t ventures. Managing and Franchising Operations: The Company managed 210 hotels, representing 53,776 rooms, which are wholly owned by others. Under the standard management agreement, the Company operates a hotel for the benefits of its owner, which either owner or leases the hotel and the associated personal property. The Company’s management fee is generally based on a percentage of each hotel’s gross revenue plus, in the majority of properties, an incentive fee based on operating performance. The Company franchised 1,612 hotels, representing 214,824 rooms, which are owned and operated by third parties. In general. Franchisees pay the Company an initial fee based on the number of rooms in a franchise hotel and a continuing fee based on a percentage of the hotel’s rooms revenue, which may be up to 5% of rooms revenue depending on the brand. Although HHC does not directly participate in the management of operation of franchise hotels, the Company conducts periodic inspe ctions to ensure that is standards are maintained and render advice with respect of hotel operations. Timeshare Operations: Hilton Grand Vacations Company and its related entities (HGVC), which the Company wholly owns, currently manages 18Show MoreRelatedLufthansa Cargo1170 Words   |  5 PagesBrochure More information from http://www.researchandmarkets.com/reports/1322865/ Lufthansa Cargo AG - Strategic SWOT Analysis Review Description: Lufthansa Cargo AG - Strategic SWOT Analysis Review Summary Lufthansa Cargo AG(Lufthansa Cargo) is a Germany-based company which provides cargo airline, air freight and logistics services. The company is engaaged in transporting cargo and mail from airport-to-airport. Lufthansa Cargo AG has a strategic partnership agreement with Fraport AG. 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Childhood Obesity A Problem For Years - 1342 Words

In the United States, childhood obesity has been a problem for years. The increase of the disease is becoming more rapid as time goes by. More than 23 million children and adolescents are being diagnosed with overweight or obesity in the US. Virginia has been ranked 23rd in America with the highest overweight or obesity in children. In Virginia, children ages two to five 16.5% were considered overweight and 15.5% were considered obese. Childhood obesity can cause serious health and physical problems, not only now, in the future if not carefully taken care of before or when it is obvious to the eye. The fact that fast food restaurants are becoming more convenient, lack of physical activity, and parenting methods are some main reasons why†¦show more content†¦Children that are already obese can have high blood pressure or high cholesterol. â€Å"Obese youth are more likely to have risk factors for cardiovascular disease, such as high cholesterol or high blood pressure. In a population-based sample of 5- to 17-year-olds, 70% of obese youth had at least one risk factor for cardiovascular disease.† (Center for Disease Control, 2015) They also can develop prediabetes; this is a condition when the blood sugar is higher than average, but not high enough to be considered diabetes. Not only health effects but self- esteem issues and being bullied are a major concern, as well. Children who are obese are more than likely to be obese as adults. Adult obesity can lead to heart disease, stroke, multiple cancers, and arthritis. Sometimes genetics has a big factor to do with a child’s physical appearance, steps toward preventing overweight and obesity can be taken. Fast food restaurants have been blamed for years for the obesity rate sky rocketing up. Although I do not ultimately agree that it is the restaurants fault, I do think it is a little ridiculous that a double cheeseburger at McDonald’s costs a dollar, but a salad cost over five dollars. The nutrition value compared from a double cheeseburger and a chicken salad at McDonald’s are pointless. The calories in a chicken salad is 480, and the calories for a double cheeseburger is 437. You might as well just spend less money and consume less calories with a double

History of African American Music free essay sample

African American slaves TLD have much to bring along with them coming Into a new country, they had very little family as they were all separated and divided into different plantations. What they did bring with them was their musical traditions. Many people would refer to their type of music as slave songs, gospel music or spiritual music. Spiritual music had a variety of moods. The slaves sang for many reasons. A song might be a lullaby, a work song, a mournful complaint, or a tune sung simply for pleasure (Woos 13).After all the deaths that were taken place In the south, It was a doleful measure for the slaves on the plantation and this gave them a way to let out all their sorrows, these songs had great meanings to them, sometimes their songs even had hidden messages in them. One song called Wade in the Water instructed escaping slaves to walk in the rivers and streams so that the water would wash away their smell and the masters hounds wouldnt be able to track them (Hatch). When slavery ended In the south It was a new beginning for slaves.Many slaves left their plantations and headed east to big cities, and some slaves stayed in the south and became sharecroppers. During this time period, music began to evolve. Woos says, These immigrants, naturally, brought their music. During the next decades, black popular music flourished, developing into several key genres and paving steadily into mainstream American culture (20). As they did, music began to grow Into three obvious styles: ragtime, blues, and Jazz. Starting this new era was ragtime.As pianos became common In saloons, clubs, brothels and middle-class homes (Woos 22), ragtime became very popular. Pianos were one of the main instruments, although a piano could have also been accompanied by bongo drums or an acoustic guitar. The ambiance of this genre is generally expressed in a fluent and joyful way. Another type of music of this exquisite age was blues and It wasnt a secret. Blue Ragtime wasnt the only music to come from gospel. Around the turn of the 20th century, a different sound was drifting out of the Mississippi Valley and out of Tin Pan Alley.It would overtake rag in popularity and endurance, It was associated with the haunting heartaches of life and thus came to be called the blues. Ragtime and blues were alike in many ways but different in many others. Blues was genuinely emotional; it had a darker side to it. Singing was the key tool to blues; it wasnt so much the type of instruments that were used but more of the beats that ere produced. These songs were cries of people who had nothing and expected nothing. Singers would mourn about losing Jobs, homes, and friends, but above all, losing sweethearts (Blue and Andean).However, not all songs were gloomy; there were a handful of songs that were surprisingly optimistic. People would sing about losing their Jobs or losing someone dear to them, while someone else would sing about getting on a train and finding a new Job and finding a better looking girl/guy. A man by the name of William Christopher Handy sung both; he called himself the Father of Blues. According to Woos His compositions including the wildly popular Memphis Blues and SST. Louis Blues, smoothed the musics rough edges, making it more appealing to a wide audience (26).One more style of music in this era was Jazz. Many people would agree that Jazz was originated in New Orleans. Reason being, this city advanced further, musically, than any other city in the United States, this type of music could have only flourished there (Blue and Andean). Jazz grew into the most boundless genre. This style went into a greater extent of improvising which other genres didnt have. It also had many efferent emotions throughout its music that varied from love songs to calm and relaxing songs to depressing songs to uplifting and high energy songs.Furthermore, in New Orleans, there was quite a mixture of races. These races all had their own flavor of music, which would merge together. At this time, the people of New Orleans hailed from many different cultures. As new settlers arrived in New Orleans, musical traditions from all over the world began to unite. African American musicians merged European musical tradition with such music as blues, ragtime, and marching band to create a new style of music-?Jazz. A History) But as time went by and Jazz changed so did the size of groups.They werent bands of five anymore but a number of eleven or more. Size did matter because Jazz now had a difference in style. Woos says, Large groups could not improvise simultaneously, as Dixieland bands did, without creating chaos (36). In 1929, the economy crashed causing a great depression. Money was tight so people werent able to go to their favorite nightclub or buy a new record. Not until swing bands came along, people could actually afford to take a night out and enjoy themselves. The great depression was a hard time for these people but they found a way to happiness. As the great depression drags on, Jazz comes as close as it has ever come to being Americas popular music, providing entertainment and escape for a people down on their luck (Swing). Late sass and early sass. At this point in history the United States was coming upon a shift right before World War II, large populations of blacks in the south were moving into cities in the Midwest and West. Honest explains, This migration created a young, urban black audience with a growing taste for up-tempo dance music.

Charles Mingus free essay sample

Charles Minus Charles Minus is a very important and influential name in Jazz; however he is left out by many historians when talking about the history of Jazz. The main reason he is left out by so many historians, Mark Griddle in particular, is because of his attitude and ego. He Is clearly not the most pleasant person, and he surely does not display how a real Jazz musician should act, at least according to most historians.The way he acts during performances can be quite startling at first, If you are not familiar with is ways and methods of playing. For example, he was known for using profanity during performances, either geared at the audience if they were being too loud or the sound operators if the sound wasnt up to Minings expectations. That being said, Minus Is a great musician, and Just because he doesnt display the best of etiquettes while performing, doesnt mean he should be left out of the history books. He later pushed boundaries both musically and politically. Minus was significant In the African American call rights movement as he provided a rueful view of the attitudes of African-Americans towards the racial inequalities in America. Lived that is of the Jazz community where he pursued freedom and Justice in music through compositional devices and musical expression. One way he contributed to the CRM was by influencing powerful and subordinate classes through holding hidden and public protests. His composition Fables of Faustus attests to these statements, as described below.Minus popularity in the Jazz community made him more influential in the political jazz climate. His regular performing schedule and frequent discography of records which made significant sales during the sasss-sasss powerful view of racial segregation and prejudice as present in American about racial injustices evident in the music industry. He directly challenged the accepted norms through his music by often using political titles for his pieces and his innovative compositional process enabled him to contest racial stereotypes through his outspoken critics. Punctuated with his position as a composer, allowed him to incorporate politics into his music. The most outstanding example of this is Fables of Faustus first recorded on Minus 1959 album, Minus, Ah Um. The song was written as a direct protest against Arkansas governor, American civil rights movement. 2013. Unicycledid Britannica Online. Retrieved 08 August, 2013, movement Civil rights movement. 2013. The Free Dictionary. Retrieved 09 August, 2013, from http://legal- dictionary. Defenestration. Mom/Civil+Rights+Movement 2 The African American civil rights movement saw , provided an ideal forum to express to his wide audience his Charles Minus Discography session index. 2001. Jazz Discography Project. Retrieved 03 August, 2013, from http://www. ]zodiacs. Org/Charles-minus/discography/session-index/ Minus, Charles. Contemporary Musicians. Volvo. 9. Gale Coinage, 2006 4 M. Reef, Unexpected Activism. A Study of Louis Armstrong and Charles Minus as Activists Using 5 James Coots Theory of Public Versus Hidden Transcripts, p. 18 Thomas Vacancies Rival E.Faustus, who in 1957 sent out the National Guard to prevent the integration of Little Rock Central High School by nine African American teenagers. And response from the horn section which is played in a combination of a somewhat mocking tone in order to depict Faustus as a fool, and in a raucous tone, to portray the anger as present n the African American community jazz critic Don Hickman who commented a classic Negro put-down in which satire becomes a deadly rapier-thrust. Faustus emerges in a glare of ridicule as a mock villain whom no-one really takes seriously.This kind of commentary.. . Appears far too rarely in Jazz. achieved international acclaim as it was played and recorded extensively by the Minus Band during their 1964 European Tour. The influence of this composition was obvious in the Jazz community as it was recorded and played on numerous occasions by various musicians, including white musicians he popularity of Minus compositions, which depicted harsh, emotional power, influenced his musical peers to become increasingly outspoken and to play Minus political compositions.Minus influence in the political Jazz climate increased political action in his fellow jazz musicians and also those people in the public who attended his concerts. Racist practices in the recording industry, the commercialisms of music festivals, and the exploitation of black artists led to Minus forming his own record company Debut Records, his own publishing company, organizing a counter-festival to the increasingly commercialism Newport Jazz Festival, and founding the Jazz Artists Gu ild GAG) a collective in powerful classes was most evident in the formation of the JAG.The JAG was influential in preceding numerous musicians collectives which were all cooperative ventures that protested the rules governing the Jazz marketplace 1 a powerful force against racial discrimination, particularly in the music industry. Minus ability to communicate an agenda of resistance and protest to his audience hidden transcripts such as allegories in his compositions and musical statements made him ore outspoken than his counterparts Brown v. Board at Fifty: With an Even Hand. 2013.Library of Congress. Retrieved 06 June, 2013, from 6 http://www. Loc. Gob/exhibits/brown/brown-aftermath. HTML Fables of Faustus Song Review Ken Dryden. All Music. Retrieved 18 July, 2013, from http:// 7 www. Alembic. Com/song/fables-of-Faustus-mt0007689362 8 Hickman, Don (August 1962). About Charles Minus. American Record Guide: 916-18. AS cited cantors 2001, p. 198 The European Tour of 1964, Charles Minus, Retrieved 06 June, 2013, from http:// 9 minus. Monotone. Info/1964. HTML 10 (Masterpiece), p. M.Dunked, Aesthetics of Resistance Charles Minus and the Civil Rights Movement 11 (Masterpiece), p. 16 MOM. Reef, Unexpected Activism. A Study of Louis Armstrong and Charles Minus as . In 1962, the song was re-recorded with lyrics to further . Musicians Joined Minus protest and thus presented . Thus, he could use music as a vehicle to express 3 strong political views supported the clear activism Minus freedom for Justice through music was an effective way of influencing the ordinate classes and subordinate classes.This was achieved through compositional devices and was giggly effective as it exemplified counterculture through music. He played bebop; a style of modern Jazz that developed in New York City during the early sass. It contained fast tempos, open soloing and complicated improvisation. 14 from post sass, bebop was a form of aesthetic protest and rebellion. 1 5 permanent black experience of oppression and discrimination in the USA. 16 interacted with the communal ideas of the CRM. Eh merged musical elements that represented diverse social groups within the Black community.He combined modern bebop elements with blues and sacred gospel music, representative of the lower classes pacification of bebop, combined with lower class blues and gospel music, Minus unified a diverse social group including the ordinate musician class through free, musical expression. Minus also used collective improvisation, a method where musicians improvised simultaneously. It paved particular attention to how each band member interacted with the group as a whole. 19 band member expressed their musical freedom whilst playing a style of music reflecting Black grievances against discrimination.Minus captured the ordinate musician classes as many notable musicians played Minus songs which included these compositional squishiness they exerted activism. In Fables of Faustus, Minus cleverly uses lyrics in conjunction with staccato (short and choppy) notes, stable sounds and unstable sounds which produces a tone of insanity. Since this song attempts to criticism Governor Faustus, this compositional device gives the impression that Faustus is psychotic. Hence, Minus used compositional form of activism to underpin the outspoken forms of activism. He attempted to break the barriers that lay between Jazz and classical music by incorporating elements from both fields, creating a medium. 22 musicians where he imagined a world free of racial restrictions and generic atdisgorgesHis activism was in the form of outspoken statements where he called for greater integration in the music world; Today, musicians in all races are proving that no race is endowed with special abilities for any profession and that every musician has an equal chance if given the proper start and study needed for playing correctly. 23 Arguably his most effective contribution to the CRM was his articulation of free musical expression as depicted in the prestigious downbeat magazines. MiMinuserecognizedf Jazz Journalist and its effect on the ability of the Jazz musician to make a living as Black West Coast America suffered from a lack of critique and was subsequently not rerecognizedn merit. He wrote to Gleason, expressing his belief that music was an expression of the emotional self.In doing so, he tried to create a climate in which these musicians would have the creative freedom and material resources to pursue their art. By writing to the critic, MiMinusrticulated his aesthetic vision of inequality in the music business. This encouraged musicians in the future to strive for free musical expression, where black musicians would predominantly create music infused with musical expression ideas about race, culture citizenship, civil and coeconomicights, and black rirightisthe supportive critic, Gleason.MiMinusethos prior to this publication was already respected as he had been written glowingly in Downbeat during 1949. Therefore, he was more influential to the ordinate musician class. This was further underpinned when the article was reproduced in 1953 and to an even greater extent when MiMinusonducted a CoColorlind Test, notable musicians had to identify personnel on records people identifying anonymous black artists as white artists and vice versa. The results were published, along with the support of critic